Art

Ansel Adams

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The Tetons and the Snake River – Ansel Adams 1942

Yesterday was the birthday (February 20, 1902) of Ansel Adams, American landscape photographer and environmentalist. His work is noted for not only the beauty of the subject matter but the sharp focus, clarity and depth of image of his photographs. He was a life-long advocate for environmental conservation and his work reflects that. For his work and persistent advocacy which helped expand the National Park System, he was awarded the Presidential Medal of Freedom in 1980.

Adams grew up in San Francisco. At age 12 his parents took him on his first visit to Yosemite National Park which he thought was overwhelmingly beautiful. On that visit his father gave him his first camera – a Kodak Brownie Box Camera.

Kodak Number 1 Brownie Box Camera

He returned to Yosemite the next year with a better camera and went to work for a San Francisco photographer learning darkroom techniques.

He joined the Sierra Club at age 17 and remained a member throughout his lifetime. He served on the board for 37 years and from 1920 to 1923 he was a summer caretaker for their lodge in Yosemite.

His first photographs were published in 1921. At that time he was an advocate of ‘Pictoralism’ which strove to imitate paintings with soft focus, diffused light and other techniques. This photo is an example of his work at that time.

By 1925 he had rejected Pictoralism for a more realistic approach that relied on sharp focus, high contrast and darkroom expertise. in 1927, working on a portfolio of photos of the High Sierras, he photographed the face of Half Dome using glass plates and a dark red filter. The result was one of his most famous photos.

During the 1930s, he began to use his photographs in the cause of wilderness preservation. His work and testimony before Congress played a vital role in the creation of Kings Canyon National Park.

In 1941, he contracted with the National Park Service to photograph National Parks, Indian Reservations and other areas under control of the park service. It was intended that the photos would be used as murals to decorate the new offices of the service but that never happened due to the war. Adams sent a total of 225 prints to the government but kept many others. As property of the US Government, these prints are in the public domain. Here are some of my favorites

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Castle Geyser Cove, Yellowstone National Park,” Wyoming; From the series Ansel Adams Photographs of National Parks and Monuments, compiled 1941 – 1942
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Looking across forest to mountains and clouds, “In Glacier National Park,” Montana.; From the series Ansel Adams Photographs of National Parks and Monuments, compiled 1941 – 1942
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Front view of entrance, “Church, Taos Pueblo National Historic Landmark, New Mexico, 1942” [Misicn de San Gercnimo] (vertical orientation)

Many more of these images are available at the National Archives and Records Service.

During World War II, Adams was distressed by the internment of Japanese-Americans and requested and received permission to visit the Manzanar War Relocation Center. The resulting photo essay was published as ‘Born Free and Equal’. The work was met with considerable resistance and rejected by many as disloyal.

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Farm, farm workers, Mt. Williamson in background, Manzanar Relocation Center, California
Camp life at Manzanar: Female internees practicing calisthenics, 1943
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Sumiko Shigematsu, foreman of power sewing machine girls, Manzanar Relocation Center, California

Adams continued his photography during the fifties working with a number of magazines and as a consultant for the Polaroid Corporation which was founded by his friend, Edward Land. During the final 20 years of his life, his favorite camera was a 6cm by 6cm Hasseblad. His favorite photo taken with that camera was ‘Moon Over Halfdome’.

View 1 of Lot 129. ANSEL ADAMS | 'MOON AND HALF DOME, YOSEMITE NATIONAL PARK'.
Moon and Halfdome – Ansel Adams

Adams suffered from gout and arthritis later in life. He died in 1984 of cardiovascular disease.

You can find a lot of his work with the relocation camps online at the Library of Congress site. The Wilderness Society in Washington DC has a nice gallery of his work. In his autobiography, Adams expressed his concern about Americans’ loss of connection to nature in the course of industrialization and the exploitation of the land’s natural resources. He stated, “We all know the tragedy of the dustbowls, the cruel unforgivable erosions of the soil, the depletion of fish or game, and the shrinking of the noble forests. And we know that such catastrophes shrivel the spirit of the people… The wilderness is pushed back, man is everywhere. Solitude, so vital to the individual man, is almost nowhere.”

Posted by Tom in Art, Environment

Kitagawa Utamaro

Women Playing with the Mirror – Utamaro 1797

As you know, I like to post about artists on their birthdays, but the birthdays are not known for every artist. Such is the case with Kitagawa Utamara who was born sometime in 1753 and was one of the most highly-regarded designers of the ukiyo-e woodblock prints and paintings. He produced a wide variety of prints but is best know for his portraits of beautiful women and in particular the courtesans of the Yoshiwara District of what is now Tokyo.

He also produced a wide variety of nature studies and books of insects as well as historical subjects and erotica. He is one of the few ukiyo-e artists to attain fame throughout Japan in his lifetime.

In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th century military ruler Toyotomi Hideyoshi.

Hideyoshi and his five wives viewing the cherry blossoms at Higashiyama -Utamaro 1802

Much of his work was around courtesans or Geishas. One of his more popular series depicted the 12 hours of the day for the Geishas.

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Ino No Koku – The Hour of the Dog

(A courtesan sits on a scarlet felt rug at about 8 in the evening. She bends back to speak to a young servant while she writes to a patron. Before her is a tobacco tray decorated with lacquer.)

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Chusingura – Utamaro 1802

Later in his career he began elongating the head and necks of his subjects in his prints in a very distinctive style.

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The Courtesan Ichikawa of the Matsuba Establishment from the series Famous Beauties of Edo

One of the things that really interests me about Utamaro is the influence that he and others of his period had on the French Impressionist movement. ‘Japonisme’ is the term used for the popularity and influence of Japanese design on the art and architecture in Western Europe following the forced reopening of trade with Japan in 1858. Here are some examples:

The Coiffure – Mary Cassatt 1891
Portrait of Pere Tanguy – Van Gogh 1887
Madame Monet en costume Japonais, 1875 – Claude Monet
Gustav Klimt, Lady with fan, 1917/18

Japanese gardens also became popular. Claude Monet modeled part of his garden after Japanese elements such as the bridge over the lily pond which he painted numerous times. In his ‘Water Lilies’ series, by detailing just on a few select points such as the bridge or the lilies, he was influenced by traditional Japanese visual methods found in ukiyo-e prints.

Claude Monet‘s garden in Giverny with the Japanese footbridge and the water lily pool (1899)

Utamaro also did a few paintings. This is one of his earlier paintings and is in the Freer Gallery of Art in Washington.

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Shinagawa no Tsuki, Utamaro, hanging-scroll painting made with coloured inks on paper, c. 1788–1791

Utamaro made more than 2000 works of art. If you want to see more you, the Sackler Gallery in Washington has some. There are also lots of images in Wikimedia HERE.

Posted by Tom in Art

Guercino

Aurora – Ceiling Fresco by Guercino at Villa Aurora in Rome

February 8, 1591 was the birthday of Giovanni Francesco Barbieri better know as Guercino. He was born into a family of peasant farmers in Cento a small town in the Po Valley. His nickname, Guercino, refers to the fact that he was cross-eyed being a diminutive of the Italian word for ‘squinter’.

His early works were naturalistic somewhat in the style of Carravagio. He spent three years in Rome at the invitation of Pope Gregory XV and stayed there until Gregory’s death in 1623 when Guercino returned to Bologna. He set up his studio there, took on pupils and was incredibly prolific. His later works are more classical and embody much more luminosity and clarity than his early works thanks partly to his use of chiaroscuro.

We can see this in his two paintings of ‘Susanna and the Elders’, the biblical tale set in Babylon when two old men conspire to seduce and blackmail a young woman to have sex with them.

Here is his first painting of the subject, painted in 1617. It is very dynamic.

Susanna and the Elders, Guercino 1617

Contrast it with this later version painted in 1650 by the same artist. It shows much more contrast between light and dark and appears more luminous.

Guercino, Susanna and the Elders, 1650

It’s also interesting to contrast both of these paintings with one on the same subject by Artemisia Gentileschi – one of the very few female artists of the time. Her painting of the subject has, to me, a particular female point of view; the postures of the men are threatening and lascivious and the woman seems clearly oppressed. It’s an interesting contrast in perspectives. This was her very first signed painting.

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Artemisia Gentileschi, Susanna and the Elders 1610

Guercino died in 1666 leaving a large number of works and many pupils who became well-know painters in their own right.

Posted by Tom in Art

August Macke

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View into a Lane – August Macke 1914

Today is the birthday (in 1887) of August Macke – a leading German Expressionist painter. He was born in a small town in Westphalia. His father was a building contractor and his mother was from a farming family. He grew up in Cologne and attended the Kunstacademie in Dusseldorf along with other notable painters.

He was a leading painter of some avant-garde art movements – he dabbled in Fauvism with its wild brush strokes and strong colors and moved into the then-current German movement of Expressionism which sought to show the world from a subjective perspective, distorting it for emotional effect to produce moods or ideas.

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Tightrope Walker – August Macke 1913

I like his work. He wasn’t afraid to try new and different things but, unlike some more abstract art, I find his work quite accessible. I particularly like his use of color.

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Lady in a Green Jacket – August Macke 1913

Like many young men of the time his life and career were cut short by the tragedy of World War I. He was called up in August of 1914 along with millions of others and was killed in Champagne, France on 26 September 1914 about a month later. His last work, Farewell, depicts the mood of gloom after the outbreak of the war. He was 28.

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Farewell – August Macke 1914
Posted by Tom in Art

Georges Seurat

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A Sunday on La Grande Jatte

Today is the birthday (in 1859) of Georges Seurat, a French Post-Impressionist Artist who devised the painting techniques known as chromolumarism and pointillism. His large scale work, A Sunday Afternoon on the Island of La Grande Jatte (above), is one of the iconic works of late 19th Century painting. If you look at it carefully you can see it is made up of tiny brush strokes of different colors that appear to the viewer to create a third color.

Seurat was very much influenced by scientists of the time who were researching color, optical effects and perception. One of the scientists, Michel Eugène Chevreul, discovered that two colors, juxtaposed or slightly overlapping would have the effect of another color when viewed from a distance. This phenomenon became the basis of the pointillist technique of the neoimpressionist painters. Chevreul also realized that the impression one sees after looking at a particular color is the complementary color. If one stares at a red object, one may see a cyan echo of the original object due to retinal persistence.

Seurat believed that a painter could use colors, especially complementary colors, to create harmony and emotion in the same way a composer uses counterpoint and variation to create harmony in music.

This painting, The Circus, was Seurat’s final work and demonstrates to a degree his theories of color. Note that he carried the pointillism even to the frame.

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Seurat died in 1891 at the age of 31. He is buried in Paris. at the Cimetière du Père-Lachaise.

I really like his work, particularly his use of color. I’m amazed at the amount of work that must have gone into each of his paintings. The ‘Sunday on the Grand Jatte is huge – 10 feet wide! It’s at the Art Institute of Chicago. Go and see it when you are next there. If you can’t get to Chicago, there’s a much larger version on Wikimedia Commons HERE.

Posted by Tom in Art