Today is the birthday, in 1650, of Nell Gwyn, an English stage actress and celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a longtime mistress of King Charles II of England. Called “pretty, witty Nell” by Pepys, she has been regarded as a living embodiment of the spirit of Restoration England, and has come to be considered a folk heroine, with a story echoing the rags-to-royalty tale of Cinderella.
She was thought to be born in London, since Gwyn’s mother was born there and that is where she raised her children. Old Madam Gwyn was by most accounts an alcoholic whose business was running a bawdy house (or brothel). There, or in the bawdy house of one Madam Ross, Nell spent at least some time. She experimented with cross-dressing between 1663 and 1667, going under the name “William Nell” and adopting a false beard; her observations informed a most successful and hilarious character interpretation acting as a man on the stage in March 1667.
When theaters were once again legalized, Mary Meggs, a former prostitute nicknamed “Orange Moll” and a friend of Madam Gwyn’s, had been granted the licence to “vend, utter and sell oranges, lemons, fruit, sweetmeats and all manner of fruiterers and confectioners wares” within the theater. Orange Moll hired Nell and her elder sister Rose as scantily-clad “orange-girls”, selling small, sweet “china” oranges to the audience inside the theater for a sixpence each. The new theaters were the first in England to feature actresses; earlier, women’s parts had been played by boys or men. Gwyn joined the rank of actresses at Bridges Street when she was 14, less than a year after becoming an orange-girl.
Whatever her first role as an actress may have been, it is evident that she had become a more prominent actress by 1665. It is around this time when she is first mentioned in Samuel Pepys’ diary, specifically on 3 April 1665, while attending a play, where the description “pretty, witty Nell” is first recorded. The Maiden Queen featured breeches roles, where an actress appeared in men’s clothes under one pretense or another, and as Bax supposes “was one of the first occasions upon which a woman appeared in the disguise of a man”; if nothing else this could draw an audience eager to see women show off their figures in the more form-fitting male attire. The attraction had another dynamic: the theaters sometimes had a hard time holding onto their actresses, as they were swept up to become kept mistresses of the aristocracy. In 1667, Gwyn made such a match with Charles Sackville, titled Lord Buckhurst at that time.
Late in 1667, George Villiers, 2nd Duke of Buckingham, took on the role of unofficial manager for Gwyn’s love affairs. He aimed to provide King Charles with someone who would supplant Barbara Palmer. The plan failed; reportedly, Gwyn asked £500 a year to be kept and this was rejected as too expensive. Buckingham had an alternative plan, which was to set the King up with Moll Davis, an actress with the rival Duke’s Company. Davis was Gwyn’s first rival for the King. Gwyn slipped a powerful laxative into Davis’ tea-time cakes before an evening when she was expected in the King’s bed.
Having previously been the mistress of Charles Hart and Charles Sackville, Gwyn jokingly called the King “her Charles the Third”. Several months later, Louise de Kérouaille (Duchess of Portsmouth) came to England from France, ostensibly to serve as a maid of honor to Queen Catherine, but also to become another mistress to King Charles, probably by design on both the French and English sides. She and Gwyn were rivals for many years to come. They were opposites in personality and mannerism; Louise a proud woman of noble birth used to the sophistication of Versailles, Gwyn a spirited and pranking ex-orange-wench. Gwyn nicknamed Louise “Squintabella” for her looks and the “Weeping Willow” for her tendency to sob.
She had two children by the king and the king granted her houses and money. Gwyn died in November of 1687. Though Gwyn was often caricatured as an empty-headed woman, John Dryden said that her greatest attribute was her native wit, and she certainly became a hostess who was able to keep the friendship of Dryden, the playwright Aphra Behn, William Ley, 4th Earl of Marlborough (a lover of hers), John Wilmot, 2nd Earl of Rochester, and the King’s other mistresses.
She was one day passing through the streets of Oxford, in her coach, when the mob mistaking her for her rival, the Duchess of Portsmouth, commenced hooting and loading her with every opprobrious epithet. Putting her head out of the coach window, “Good people”, she said, smiling, “you are mistaken; I am the Protestant whore.

Portrait of Nell Gwyn as Venus with her son, Charles, as Cupid, by Peter Lely. Charles II had this hung behind a landscape, which he swung back to allow favored guests to peer at.















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Moulin Rouge? https://www.youtube.com/watch?v=RQa7SvVCdZk
















































































































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